Puppetry largely depends on the visuals and the acting through the voice of the puppeteer. The storytelling concept is very much woven into this art form. Telling a story is at the crux of this form of art and it is also a great way to entertain and engage the audience too. It is derived from ancient Indian thoughts that puppets have life. In Sanskrit, puppets are termed ‘Putrika’’, Putraka’or ‘ Puttalika’, all of which are derived from the root Putta equivalent to Putra (son). The word puppet comes from the French word ‘Poupee’ or the Latin ‘ Pupa’, both meaning ‘dolls’. An important task of the puppeteer is to transform the puppet from being a mere “figure” towards embodying a distinct character.įor this, the puppeteer applies the various techniques of manipulation and the various types of puppet forms corresponding to the demands of the character”. Thereby, the audience is confronted with a dual presence – the “omnipresent” puppeteer/ master performer sharing the space with the “animated” puppets which play into the hands of the puppeteer. “As such, there are twin levels of performance where the puppeteer at first conceptualizes and internalizes the set of roles to be enacted and subsequently transfers them upon the “inanimate” puppets. A puppet may be defined as any inanimate figure given life by the will and the spirit of man and this whole act is known as puppetry. Puppetry has been one of the most vibrant and long thriving theatrical forms in India.
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